Small Presses & Books

Since becoming publisher of The New Haven Review, I've received a slow but steady exposure to the universe of smaller presses. These are precious commodities in our country. They are the publishers, sometimes of last resort, for writers of fiction both great and good who can get neither the ear nor eye of a literary agent or a major publishing house. Since these last are always considering the respective costs and benefits of publishing a book that may never sell more than 500 copies, the many authors who feel neglected should hardly come as a surprise. This reality is especially onerous for poets.

Notwithstanding the suggestion that there are more writers than ever, the presence of an Internet or the existence of desktop publishing software do not in and of themselves bequeath the mantle of author to anyone. Owning a bit of software or blogging away do not supply in some automated fashion the length and coherence required to generate this thing we call a "book."

Even as digital phenomena, Kindle-ized, books demand a level of structure and craft, whether long novel or collection of essays, that no software or hardware tool can pre-generate.

A book is, first and foremost, an act that rarely repays, one born of love and desperation. It matters not if we speak of disseration or science fiction novel: it is an investment of time and sometimes of money--if not directly from your bank account then as some type of opportunity cost. Little presses play a critical role in providing that stamp of approval, even if it is a small one, to this act. It acknowledges such achievements more profoundly than, say, this blog entry I'm writing, which will sail out into the digital nethersphere, without an eye to eyeball it.

So let's hear it for little presses. We need them more than we might imagine.

Bennett Lovett-Graff
Publisher, New Haven Review

How It Started...Sort of

When I was a child, I read comic books. Then one day I returned home with one of those book order forms that are still distributed by the publishing company Scholastic. For reasons that I will discuss some other day, I checked off all of the titles that I knew--with my limited scope of knowledge--were literary "classics." A week or two later, I came home with copies of Jane Eyre, Wuthering Heights, The Taming of the Shrew and a several other titles I no longer recall.

It was my first foray into something clearly a cut above my previous reading--no small feat I soon discovered as I muscled my way through the adventures of Katherine and Petruchio with an able assist from the ample notes that ran on the verso pages of my Folger paperback edition. (God bless those editions!) I was not so lucky with Wuthering Heights as I sank ever deeper into the moorish clutches of incomprehensibility. And as for Jane Eyre, well, there seemed to be an awful lot of pages, so I thought I'd wait on it. Probably a good idea when you're only in 8th grade and trying to take on some of England's greatest writers with little more than a deep knowledge of the Silver Surfer's tragic origins or the workings of Thor's mighty hammer.